Wednesday, June 12, 2013

Modern Art or Monkey Art? Rant #2




A couple of years ago while on vacation in Thailand I watched an elephant use watercolor brushes to paint a picture of a flowering plant.  She was pretty good too.   


Of course, elephants are very intelligent.  Usually chimpanzees are rated higher on the animal intelligence scale but I’ve never seen them paint anything.   Monkeys are smart though that’s for sure.  I saw an example of how smart they are years ago at a wild animal park near San Diego:  A crowd of 30 or so people were gathered in front of a mote.  They were pointing and laughing at a huge male gorilla.  This gorilla was sitting on the other edge of this mote, as close to these people as he could get.  And lying next to him was a huge pile of fresh gorilla poop apparently just deposited in view of this crowd.  I supposed this gorilla just had to go and wasn’t too concerned about who was watching.  Elimination of bodily waste is, after all, something we all do.  In this country we just have a bit of a problem doing it in public.  People in some other countries aren’t so fussy.  The laughter increased and that’s when the gorilla started glancing down at his pile.  He looked angry to me.  His head moved back and forth from his pile to the crowd, crowd to his pile.  He reached down and grabbed a huge gob.  His arm moved up and down as if he was judging its’ weight and possible flight path then looked back at the crowd.  I moved back a few yards in anticipation.  The rest of the people must have been dropped on their heads when they were babies as they just stood there.  Suddenly, as expected, he stood up and flung it at the crowd.   They screamed as they were splattered with gorilla crap and ran.  Too late.  The gorilla ran too… as fast as he could to his little house. 

Hilarious…and somehow this brings me to the subject of modern art.

I’ve been to the many of the best modern art museums in this world and much of what I’ve seen I’ve enjoyed and appreciated.  However, I’ve also seen much of what I (and maybe you too) refer to as “monkey art”.  Here’s my definition of monkey art:  I’m not all that creative and I can’t even draw a decent stick figure.  A monkey could probably do as well.   So, if I can do it, a monkey can too: monkey art…as creative as gorilla crap.  Here is picture of a recent example I just viewed at the Tate Modern in London a few days ago:


This was painted by Philip Guston 1913-1980.  Born in Canada but worked here in the U.S.A.  It was described this way:  “A dark shape, suggestive of a head, emerges from a grey background.  Guston referred to this and other paintings made in the early 1960’s as ‘dark pictures’ and also as ‘erasures’.  As he explained, “I use white pigment and black pigment.  The white pigment is used to erase the black I don’t want and so becomes grey.  Working with these restricted means as I do now, other things open up which are unpredictable, such as atmosphere, light, illusion – elements which do seem relevant to the image but have nothing to do with colour.”

Nope.  What a load.  Monkey art.  I could do it.  Heck, a first grader could do it.  Quit trying to bullshit me Mr. Guston.  Tate Modern:  you suckers.

Here is another one probably costing the museum thousands of dollars:


Three blank all white canvases?  Please, I don’t care what this “artist” says about this.  It’s crap.  Monkey art.  I could do it.  Tate Modern:  you must have had your head up your asses to buy this.  Fools. 

Finally, this:


This “sculpture” was done by Thomas Hirschhorn, a Swiss, born in 1957, works in France.   It’s called:  Candelabra with Heads, and was done in 2006.  It’s made of wood, brown tape, bubble paper and painted plastic heads.

Tate Modern says this about these pieces of  “art”:

“Hirschhorn is known for his sculptures and installations made from everyday materials such as cardboard, plastic and paper, bound together with brown packing tape.  This work was originally part of an exhibition called Concretions, a term from geology and medicine that suggests the gradual growth of a solid mass.  Hirschorn related the theme to a broader social and spiritual petrification.  Here the faces of mannequins seem to be emerging from – or submerged into – larger biomorphic forms.”

Tate Modern:  you’re a biomorphic and petrified solid mass coming out of my ass.  What a load of gorilla crap.  I could do this but it would entail sitting on the toilet for hours.  My legs would fall asleep.  It’s monkey art.  You clowns.


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